The first group of works showed by Piero Nincheri such as independent work, is that of Cesena in 1972, with the "fucilati" (shoot men) on white dregs and pictures, cats, flutes, with little coloured chalks on dark dregs. In the middle of '70s there are a lot of studies on nude, always on dark dregs, but until 1985 the painter's pictures are only study for pictorial composition. In 1987, the Genova exhibition showed a thick group of "finished" painting, works of the last two years.

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"...la libertà rivive!" (1972) pencil on paper 70x100

"Ascoltando la musica" (1989) pencil and pastel on paper 73x110

"Figura sdraiata" (1998) sanguine drawing pencil and pastel on paper 100x70

"Senza titolo" (1998) sanguine drawing pencil and pastel on paper 100x70

"Senza titolo" (1997) sanguine drawing pencil and pastel on paper 50x70

"Studi per la colonna insaguinata" (1990) pastel on paper 100x70

Since 1964, Piero Nincheri, with some of his friends, bought his first printing press. He was interested about etching technique, that after wards will experiment with all his expressive means. His production of etching was concentrated in some periods: from 1964 to 1966, little format, at stroke with often licentious subject; from 1969 to 1971, of middle format, with large coloured inserts of etching (in these years he realized drawings about Mahler and Salamina's battle); from 1974 to 1976, of big format, with pictures inspired to Tuscany tradition of 14th or 15th century (Cosmè Tura, Pontormo ecc); from 1979 to 1980, from 1983 to 1986, always in big dimensious, with original installations, often reshaped during these years.

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"Des Knauben Wunderhorn" (1970) etching-aquatint 35x50

"ll cancello" (1984) etching-aquatint 39x49

"Ritratto di E." (1986) etching-aquatint 19x19

From 1961, Piero Nincheri began his complementary activity with stained glass windows. He was called when he was a very young man to collaborate with Tolleri's glassware in Florence, after some years, together with other colleagues, was able to base the Vetrate Artistiche Fiorentine. Here he refined his speciality of sketching and drawer of basic cartoon, that he continued to do for all his life.

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"S.Antonio da Padova" (1980) sketch, water-colour on paper

"Crocifissione" (1980) glass window

"Resurrezione" (1980) glass window